Showing posts with label Writing. Show all posts
Showing posts with label Writing. Show all posts

Tuesday, January 21, 2020

ABOUT BLACK CREATIVITY

Beneath the Spin*Eric L. Wattree

EXCELLENCE IS THE KEY TO BLACK EQUALITY

ABOUT BLACK CREATIVITY


Thank you, Cartrell, for both, your kind words, and for inspiring this article. I’m truly flattered by your response to my comments, but complete honesty demands that I reluctantly admit that I'm no one special, nor am I a person of exceptional intelligence. The fact is, in terms of intelligence, when I was growing up I was somewhere around the middle of the pack among my friends. I just got lucky in stumbling upon something that I enjoyed doing, so I put a lot of effort into it. But the truth is, writing and assessing reality are the only two things in life that I do relatively well, so those are the things in which I've devoted my life. I specialize in observing life, and writing about what I've observed. I enjoy that like many men enjoy watching the Super Bowl. 
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Due to that passion I’ve observed many young Black people who truly are brilliant, and who have a trove of natural abilities that are much more pronounced than my own, and I'm proud to say that many of my own children are among them. So I’ve dedicated my life to encouraging these young people to purposely focus on what I only stumbled upon by accident. I’m on a constant mission to try to get them to see what I see, because many of these young people are doing just the opposite of what they should be doing. These exceptionally gifted young people should be singularly focused on developing their intellect instead of wasting their time trying to fit-in with the crowd.They should be striving to become unique and independent thinkers, instead of trying to be one of the many, because "exceptional" means just that - different from most. 
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I try to get them to understand that Black people don’t have to go hat-in-hand begging the White man for a blue-collar job. If they’d just take the time to develop their unique skills, they could make those skills marketable and sought-after. I've been relatively successful in that regard when it comes to my own children and grandchildren, so now I've focused my attention on the Black community as a whole.
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I learned to do legal research and brief writing, for example, and that allowed me to make a killing by simply doing what I love most, writing. Yeah, I had a 9-to-5, but only so I would have a guaranteed income. But on the side I did legal research and brief writing for attorneys, and as a result, my son and daughter never had to want for a thing throughout their entire childhood. I charged the attorneys a third of their fees to work on a case – and they were happy to give it to me, because, as a former hood rat, I understood the key to winning cases, something they didn't always learn in law school.
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While the various law schools taught them to be competent in interpreting the law, the key to winning legal cases is grounded in psychology. Instead of going out of your way to try to sound learned and scholarly, you should stay away from dry legalese whenever possible and focus on making the judge as upset with the opposition as you are.
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I loved having that kind of impact on people. It gave me a sense of power. It’s like being a screenwriter, but instead of writing fiction, you're using factual information as the basis for your plot, and instead of manipulating fictional characters, you're having an impact on the lives of real people. By using that technique - along with solid legal research and a little hyperbole and gaslighting - in many cases the judge would walk into the courtroom as mad at the other side as I was. In fact, in many cases when the opposition’s attorney would read the brief, that alone, would cause them to want to settle. 

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That’s why attorneys didn’t mind paying me, because they got two-thirds of the fees, and I did all the work. But I didn't mind that a bit. While I'd never tell them, I enjoyed it so much I would have almost done it for free, because it allowed me to walk out of that courtroom not merely saying, but knowing, "I am somebody!" It made me immune to feeling like I had to prove I was equal, and all my life, it's allowed me to deal with the White establishment eyeball-to-eyeball. When a bigot tries to talk down to me, I don't look down at my feet, I want to know who the hell he think he's talking to.
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Then, one day I was in a courthouse lobby talking with an attorney and he said, "You know, you could start writing appellate briefs and you wouldn't even need us anymore, because you'd never have to step foot into a courtroom." And he was right, but they kept ringing my phone off the hook nevertheless. I did so much legal research that I knew more about the law than they did, so attorneys would call and consult with me over pending cases that I wasn’t even involved in. They'd call and give me the details of a case and ask, “So what do you think, Eric?” If I could answer them off the top of my head I would, but if I couldn't, I'd research the law and try to devise ways of outwitting it through loopholes, and using one law against another - it was like playing chess, the only game I've ever enjoyed. And you know where I learned to do that, and play chess - when I was a teenager going in and out of jail. So all knowledge is valuable, regardless of where it came from.
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In my case, I just happened to stumble upon the joy and skill of writing and research while preparing for various court hearings, and I was highly motivated because I was constantly catching drug cases and it helped me to stay out of jail. It also benefited me when I was on the street, because it got me a lot of respect as a young, jailhouse lawyer. I knew every gang member in the city, regardless of what gang they were in. I’d party with one gang one night, and another on the other side of town the next. I was given a pass, because I wasn’t looked upon as a gangbanger. I was the guy who could help them beat a case - and quite often I did, and for free. Even many old-school criminals would come to me. So it wasn't only a hobby that I enjoyed, but one that's allowed me to reap huge benefits all of my life.
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So I learned my most valuable skill in jail. As the son of a lifelong drug dealer I started getting arrested for selling the drugs I was stealing from him when I was 12 years old, and by the time I was 19 and caught my one and only case as an adult, the judge was so taken with my attempt to represent myself that he sent me into the Marine Corps instead of prison.
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I'll never forget the look on the judge's face when he asked me where was my attorney and I told him, "If it pleases the court, Your Honor, I'd like permission to appear Pro Per (Propria Persona - Latin for represent myself). When I look back on it I have to laugh at my arrogance. Here's this 19-year-old hood rat with the audacity to try to speak Latin to the court - but I was dead-serious - you would have thought I was Perry Mason. The judge obviously thought it was some kind of joke, but he allowed me to proceed. To his complete surprise, however, I mounted one hell of a defense, but it was based entirely on technicalities in the law. I knew I was headed for the joint, so I already had my toothbrush with me, but I thought, "What the hell," I'll give it a shot.
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I’d been busted dead-bang with a entire briefcase filled with hard drugs - and I mean HARD drugs. So I knew that fact alone was next to impossible to overcome without a huge violation of my civil rights. But unfortunately - for me - the particular cops who busted me were quite professional in the way they went about doing their job, so I could only come up with minor violations of procedure, but nothing serious enough to get the case thrown out. So I was convicted, just as I figured I'd be.

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But when the case was over the judge called a short recess and took me into his chambers. I was prepared for a lecture on how I had thrown away my life, but instead, he offered me a proposition. He was a former Marine Corps office, so he told me that if I would agree to go into the military, he would hold my conviction in abeyance, and if I came out with an Honorable Discharge, he would throw out the conviction. Of course, I jumped at the deal, because that meant I could go home and get high instead of going back to the county jail, because I didn't have a penny for bail money to get me on the street until my sentencing date. So when I walked out of the court onto the streets of downtown Los Angeles I wanted to kiss the ground, because I hadn't planned on seeing the streets again without handcuffs for, at the very least, 5 years. So by developing just one simple skill, the skill of writing, I changed my entire life. It not only kept me out of prison, but exposed me to experiences in life that I otherwise never would have known.
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But what I didn't know was my good fortune was just beginning. The first thing they do when you enter the Marine Corps is test you, and through those battery of tests they identified my predisposition and love for the written word, so they sent me to the Army/Navy Academy to further develop it. Then shortly thereafter, a naval captain (a colonel in the Marine Corps) who was my instructor, got me a job with my battalion commander, and later I became an aide to the Commanding General of Camp Pendleton.

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The general and I became as close as father and son, and his senior officers treated me as such. E
verything that came out of his office, I wrote - including their fitness reports, so the officers used to rely on me for a heads-up on what was coming down the pike. The General was also a classical pianist, and I played saxophone and was heavily into jazz. So on the weekends the General and I would drink his scotch, talk about my life, his life, and listen to music. I introduced him to the music of Bud Powell, Thelonious Monk, and Phineas Newborn Jr., and it really turned him out. He also setup private living quarters for me in a room in the rear of the main base library so I could work through the middle of the night without being disturbed, and I lived like a king. I also learned a lot from him, so when I got out of the Marine Corps and went to college, I damn near slept through it - and I made extra money writing term papers in the process.
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So, again, while I’m far from brilliant, and I don’t have many other skills, writing has literally been a lifesaver for me, and it exposed me to many experiences that I ordinarily wouldn't have had. In addition, it's allowed me to take full advantage of what mind I do have.
Also, by the way, when I got out of the Corps I went before that very same judge who had sent me in (again, in Pro Per), and he expunged my entire criminal record, juvenile and all. So today, I could run for Pope of the Catholic Church.
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Writing also forced me to organize my thinking, pay attention to detail, and become a critical thinker. That helped me tremendously with my education, because the minute they tried to feed me bullshit – and many educators are filled with it – a red flag would immediately go up, and I’d think, "Wait a minute! That doesn’t make sense." From that, I learned to always do my own research, and I also learn to never give priority to anyone else’s ability to think over my own – no matter who it was, or how many letters they had behind their name. While we should always be open to consuming new knowledge, we should always connect the dot and assess the relevance of that knowledge, for ourselves.
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That came in very handy when they tried to feed me bullshit about how wonderful the White man was. That’s all an illusion that the White establishment tries to convince us to embrace. While the White man has power in this society, he's far from invincible – I proved that by only losing one case in 20 years. But that said, my life experience and common sense has also taught me that you can't profile any entire group of people. You have to assess each individual as an individual. So when I say, "The White man", I don't mean all White men, that's simply ghetto shorthand for "The White establishment". We must also remember that every Black man is not Barack Obama, and every White man is not the Grand Wizard of the Ku Klux Klan.

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Writing and research also helped me to recognize that knowledge is free. As a result, when I got married and had kids, the first thing I did was taught both my son, and daughter to write (or at least, exposed them to it) and they taught all 5 of my grandkids. I’ve gone out of my way to see to it that all of my kids are effective writers, because writing is nothing short of thinking on paper.
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Thus, knowing my attitude toward writing, when my son was in high school he came home very excited about getting an “A” on a term paper. He couldn’t wait to show it to me. But when I looked at it, I immediately recognized that it wasn’t an “A” paper, and I told him as much. My wife and daughter were livid over what they referred to as my "gross insensitivity". They felt that I had thrown ice water on his excitement, and I was discouraging him. But he was about to go to college, so I felt that it was better for me to tell him, and then help him with it, than to just stroke his ego and let some college professor trash him while I was thousands of miles away. And he understood that, because I started by telling him what was excellent about his writing.
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And much of the paper was indeed excellent. It was very well written. That’s obviously what his teacher had graded him on, it’s flow. But he had failed to substantiate many of his assertions, and that’s what I had a problem with. When it came to grammar and style, he had that down. The paper read beautifully, but writing is about much more than just sounding pretty on paper (that’s what I’m also telling his son, and my grandson, Eli, who’s also an excellent writer). Writing is about making an effective point. So what Eric had to learn was very simple - whenever he made an assertion, he should start backing it up in the following sentence, or no later than the following paragraph.
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That’s all writing is about, making statements, and then backing them up with facts. A writer should try to drench the reader in so many facts that his point defies debate. Once he’s done that, then he can go back and make it sound pretty. If he’s only interested in beauty, he should write poetry and stay away from non-fiction. But Lil Eric reminded me of myself. I had the same problem. But when I was in college I had a Professor name Immel, and she told me in front of the entire class, “Eric, you say absolutely nothing more eloquently than any student I’ve ever had.” Then she started reading excerpts from my paper and asked, "What, are you such an authority that I'm just suppose to take your word on all this?" She embarrassed the hell out of me. So Lil Eric and I spent the next day reviewing his paper and driving that point home. He needed to understand that he was writing, not rapin’, and there’s a big difference.
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A year or so Later, after he’d gone to college, my wife read one of his papers and said, “Eric, you’re gonna have to stop writing Lil Eric’s papers. That’s not doing him any good.” So I looked at the paper and said, “I didn’t write this, Eric did.” I was flattered that she couldn’t tell the difference, because by that time he had become a much better writer than myself. But she was greatly impressed, and I took that opportunity to throw back up in her face how she scolded me when he was in high school over his writing.
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Still later, after he had become a federal agent, an FBI agent who he worked with, pointed out how well written one of his reports was. He then asked, “Who helped you with this?” Eric look at him and said, “What do you mean, who helped me with it? I wrote it myself.” And shortly after that, Eric was later given the job of reviewing the reports of all the agents before they went to the U.S. Attorney.

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So the ability to write is a very valuable skill that can allow Black people to not only avoid having to depend on the White man to give them a blue-collar job as a handout, it can also provide them with a sense of personal confidence and independence - and there are many other skills just like it. I've only focused on writing because that just happens to be my thing. But Black people, have many talents and skills, and we have the intellectual creativity that will allow us to standout in life just like we do on Soul Train. 
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But unfortunately, this society works to discourage us, and it tends to pour all of its resources and dedication into convincing us that we're merely beasts of burden, and that it's "uppity" for us to think beyond that.  But don't buy into that bullshit. Be smart and develop your intellect. Then, instead of having to go beg the White man for a job, you can force him to come knocking on your door begging you to apply your intellect on his behalf.
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Thus, whenever you consider your standing in society, you should always remember the following - what we dismissively referred to as soul is nothing less than creative brilliance straining to be unleashed, and it can be applied to any endeavor. We’ve just got to stop Twerkin’ long enough to recognize that fact. 

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Eric L. Wattree
BLACK WRITERS, INTELLECTUALS, AND INDEPENDENT THINKERS
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Religion: It's not that I hate everyone who doesn't look, think, and act like me - it's just that God does. 



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Saturday, July 04, 2009

Should Black People Try to Own the Rights to the Word Nigga?

BENEATH THE SPIN • ERIC L. WATTREE
Should Black People Try to Own the Rights to the Word Nigga?
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While I generally refrain from the frivolous use of what has come to be called "the N-word," I only do it in deference to the sensibilities of Black people who have made the abolishment of "The N-word" (I feel silly even writing it) a major issue in their lives. Personally, I find the effort totally superficial and silly, since if you refer to "the N-word", you might as well say it. After all, it's not the word that's disparaging, it's just a word, it's the concept that it describes that's vulgar.
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If your child said, "F you, dad," are you going to give him a pass because he didn't actually say the word?  Of course not - you're going to come down on him like a ton of bricks, because you know what he meant. The same is true of "the N-word" - we can start referring to it as grapefruit, but in the final analysis, it still means nigga. So, when we say "N-Word," it's just another silly way of sublimating an issue that needs to be addressed head on.
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Thus, by trying to abolish a word - which has never been accomplished, to my knowledge, in the entire history of mankind - you only serve to give the word more power. By trying to demand that the word is never used, you're not only acknowledging a unique association with the word, but you're giving your enemies a more powerful weapon to use against you. First, your effort alone tells your enemy that it's use is painful to you, so do you think that's going to make your enemy less likely to use that weapon, or more likely? More likely, of course. When have you ever heard of an enemy refraining from use a weapon because it hurts the other side's feelings? Never! And secondly, now that you've told him that you don't like the word, you've made it even more potent as a weapon. Because now when he uses the word against you, he's not only saying to hell with you, but also, to hell with your sensibilities, and your campaign to abolish the word, so the insult is magnified.
A more constructive way of approaching this problem is to first define exactly what a nigga is, then teach your children to live above that definition. That way you turn a negative into a positive.
My definition of a nigga is any person of any race, creed, or color, who takes pride in his or her ignorance, and/or stupidity. After I had a working definition, I made sure that my kids understood that definition, then taught them to carry themselves in a way where they wouldn't associate the word with who and what they are as individuals. In short, if you're not a nigga, the word should be meaningless to you.
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I taught my son, for example, that there might come a time in his life where some racist might point at him and tell his son, "See that guy over there, that's a nigga." But while warning him that he should be prepared for such a event, I also used it as an opportunity to instruct him on why it's important for him to always strive for excellence.  I taught him that he should always carry himself in such a way where if that should happen, he should make sure that he's invested enough in himself where the racist's son will look at him, and then look back at his dad, and say, "Daddy, I want to be a nigga when I grow up." I assure you, that's what the sons of racists all over America are saying right now, after seeing the grace, dignity, and intelligence of Barack Obama - that's what's driving Rush Limbaugh, and many others, crazy.
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That's the way you fight negative aspersions - you don't put all your energy into saying don't call me names, you invest your energy into making the names they call you both remote, and irrelevant to who, and what you represent. So if a racist calls Barack Obama a nigga, he now has to prove that he's superior to our president - and if he's sittin' in a beat-up pickup truck with a pack of Marlboro's rolled up in his t-shirt sleeve, he's going to find that an extremely daunting task.
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I adopted that philosophy quite by accident early in life. The only reason that I'm sitting here with the ability to write this article today is one night, as a high school dropout, I was talking to my mother about the dreams that I had for myself in life, when my step-father - a drunk, a gambler, and philanderer - started laughing, and said, "Nigga, all you gon ever be is just another nigga standin' on the corner dealin' drugs - until you get your brains blown out."
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He did more for me with that one remark than all of the counseling and juvenile facilities combined. He was a big hulk of a guy, so at 16 I still wasn't able to kick his ass, as I truly wanted to, but with that remark he planted a seed that spawned one of the primary philosophies in my life - never let anyone else define you or your capabilities. And just as importantly, always use negativity as a slingshot to enhance who you are.
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It's a gross waste of time putting all of your energies into a campaign begging people to be nice and not call you a nigga, because it's a campaign that's dead on arrival. A much more productive use of your time and energy is in initiating a campaign against being a nigga. I mean, wouldn't your time be better served in trying to get young men to pull up their pants, straighten their caps, educate themselves, and become responsible fathers? I think it would.
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Common sense should tell you that if a person hates you, the most valuable weapon in his arsenal is what you've told him causes you the most pain. But the only way a word can cause you pain, is if you embrace it. Thus, if you're not a nigga, why do you feel that you own the rights to who can use the word?
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So, as much as I want to accommodate the sensibilities of my brothers and sisters in this matter, as a writer, words are the tools of my trade, and I have absolutely no intention of giving away any of my tools - especially one as graphically expressive as the word nigga. Because the fact is, there's a lot of niggas in this world - both Black and White. If you're a White man who's not supporting your kids, you're a nigga. If you're a forty-year-old Black man walking around in untied tennis shoes, with your cap on sideways, calling women bitches and whoes, and your kids wouldn't recognize you if they passed you on the street, you're a nigga. If you're a preacher who's pimpin' your flock, and preachin' a sermon that you're not livin', you're a nigga. If you're a politician who's putting your career ahead of the people you're suppose to be representing, you're a nigga. And finally, if you're a president or vice president who lied a nation who trusted you into a senseless war for profit, you-are-a-nigga.
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So there are far to many niggas walking around here to be talking about abolishing the word. Words are to thoughts what notes are to music. Would you have asked John Coltrane to go through his entire career without playing B flat, or a painter to never use the color blue? In the same way, by abolishing words, you also abolish a writer's ability to fully express his thoughts. How could I have related the thoughts that I just have without using the word nigga?
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And finally, here's a question directed exclusively at Black people - and please, answer it honestly. Is there any way that I could write a perfectly accurate portrait of Clarence Thomas without using the word nigga? Sure, I could manage to crank something out, but without the word nigga, an indispensable element of his character would be missing.
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Thomas sat perfectly mute through the wholesale disenfranchisement of Black voters during the 2000 Bush v. Gore debacle. He never uttered a word. Then after the 2008 election of President Barack Obama, he took the virtually unprecedented action of lobbying his colleagues to accept a case challenging the constitutional legitimacy of the first Black man to ever be elected President of the United States. There's only one word appropriate for such cultural treachery, and that word is nigga - and we all know it.
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Black people refer to Thomas as a nigga in private all the time, because in the Black vernacular the word has an entirely different meaning. So, the word does have its place - in fact, the doctrine of political correctness, along with the word's racial associations, prevent us from using it enough. Perhaps if we'd used the word nigga more liberally relative to previous acts of cultural treachery, Clarence Thomas might have avoided becoming its poster child.

Well, in any event, so much for my little excursion into the realm of raw truth. I'm sure I won't be applauded for my stance - even though I'm just as certain that many of you secretly agree with me. But as we all know, hypocrisy trumps truth in polite society, so I should have known better than to even broach the subject. But I just can't seem to smooth out those rough edges - you know, that overwhelming need to call a hat a hat. I guess it's a throwback to the street in me - but at least I'm not dealing drugs.
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And speaking of which (the irony of ironies), my son that I was telling you about, he grew up to become a federal agent with the DEA (the Drug Enforcement Administration). And while we're on the subject, I went by my mother's house one day about ten years after my step-father made the remark about my dealing drugs. Naturally, he and his friends were in the garage drinking, laughing, cursing, and gambling. When I walked through the door one of his friends said, "My man! I want to be just like you when I grow up." Then without even looking up from his cards, my step-father said, "Man, you ain't gon never grow up enough to be like him . . . you have to be born that way."
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I guess that was his way of apologizing.

Eric L. Wattree

Religious bigotry: It's not that I hate everyone who doesn't look, think, and act like me - it's just that God does.

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Friday, April 03, 2009

The Building of a Jazz Man

Beneath the Spin * Eric L. Wattree

The Building of a Jazz Man 
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There are two things in this world that allow me to remain sane–writing and music. I’d be in absolute agony if I ever had to choose one over the other, because they are one–one is an extension of the other. Each in its own way allow me to express a part of my being. There are some concepts that I can only express in words, in which case, I sit down and begin to write; but there are other things that spring from a place so deep within my soul--the pain of loss, deception, or of being disappointed by a friend or loved one, for example--that it can only be expressed through raw emotion, which means my horn--it's cathartic. So I’d be completely remiss if I didn’t mention such an important part of my life in the context of this written interview.
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The saxophone keeps me connected to my roots, and who I am fundamentally, so it contributes to my writing in that way as well. Sometimes when I get on my high horse and begin to speak the superficial language of the Washington pundits or the mainstream media, I simply have to glance at my horn to remember why I started writing in the first place–to present the views of those who are too often overlooked. In fact, it reminds me that I’m much more of a translator than I am a writer.  I seek to translate the emotional truths that Bird, Miles,Trane, and others set forth in their harmonic and melodic constructions into readable prose. As I mentioned above, that’s not always possible, but my horn keeps me in touch with my mission, and it reminds me to remain focused on doing the best I can in that respect.
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My father put that horn in my hands when I was a kid. While he had many flaws (one of my first memories in life was of the police coming to my house in the middle of the night, shooting my dog, and dragging him off to the penitentiary), but at his core, he was a good man, a loving father, and a jazz fanatic. For him, the Sun only rose in the morning so it could keep Charlie Parker's reeds warm. So he wasn’t able to give me much, but what he did give me turned out to be one of the most potent and enduring forces in my life.
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I’ll never forget the day he gave me that horn. It was on a Sunday morning. He opened the case, and there it was, smiling at me for the very first time, with its pearly-white keypads and glistening gold body gleaming in the sunlight against the deep blue felt lining of its case. Even now, I can remember my excitement as the newness of it’s smell filled my young nostrils.
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But to my surprise, he also brought Jimmy home with him - for what, I didn’t know. Jimmy was the neighborhood’s quintessential dope fiend and general substance abuser. Thus, to my even greater surprise, it turned out that he had brought Jimmy home to teach me to play the saxophone. I was very doubtful that Jimmy could teach anyone to do anything but shoot dope, toss back a pint or two and nod, but I wasn’t worried about that at the time - I just couldn’t wait for him to put that horn together.
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It seemed like it took him forever to extract the pad-saver and adjust the reed on the mouthpiece. Then they finally put the strap around my neck. Jimmy showed me where to place my fingers, and then I blew my first official note on the saxophone, and I got one of the most horrifically agonizing sounds out of that horn that ANYONE has ever heard. It made my mother jump up out of bed and run into the living room yelling, "What is going on in here!"
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I became immediately frustrated, because I just couldn’t figure out how something that was so beautiful could produce such a horrible sound. Then my father said, "Wait a minute, son. Jimmy, show him how this thing is supposed to sound."
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Jimmy, as I mentioned before, was not only a dope fiend, but over the years he had degenerated into an extremely unkempt drunk as well. He had become the kind of person who was completely dismissed by even the most down-on-their-luck adults, and the kids used to like to play practical jokes on him when we found him nodded-out somewhere in the neighborhood. And I'm now ashamed to say that I was one of the most prolific and abusive of the bunch. But when Jimmy put that horn into his mouth and began to play "Round Midnight," he became a different person. Now he was in his element - Jimmy was in command. All of the disappointments and humiliations in life slipped under his fingers and out the bell of that horn as some of the most beautiful licks that I’d ever heard before or since.
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Even as a kid I could see the confidence, the focus, and knowledge reflected in his eyes. I could see the young Jimmy. I could see all of his hopes and dreams that seems to have gone astray. And to this day, I have never heard ANYBODY play "Round Midnight" with such passion and ease of facility, and I’ve heard it played by some of the greatest saxophone players who has ever lived, but not one of them has been able to touch me in the spot that Jimmy reached that Sunday morning of my youth. And this was playing cold, on a brand new saxophone, and he probably hadn’t touched a horn in years - and not to mention he was loaded (one of the last times I ever saw him in that condition, by the way).
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When Jimmy was done, my father told me, in his typically graphic and offhand way, "Now, I want you to hang on to this horn like it’s your momma’s tiddy, and you’ll never be broke or alone." Then he looked over at Jimmy and added, "unless you start shootin’ that shit." I followed my father’s advice, and his words have turned out to be prophetic. But actually, after watching the transformation in Jimmy when he picked up that horn, my father didn’t have to say another word.
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So even as I respond to this interview, and speak of my love for the written word, a lifelong friend sits in its stand with that same beautiful smile that first greeted me as a child. The beauty of its song is a constant reminder that the written word is only one part of my life. Unlike a corporeal being, its only reason for existence is to carry out the blessing of a long departed father upon his son. But much like a sensuously flawless and indulgent woman, it waits patiently, still gleaming in the sunlight with its glistening keys and curvaceous body, as though longing for my loving and passionate embrace.
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So thank you, Jimmy, for pulling your life together long enough to give me one. This one's for you, my man:
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A SWINGIN’ AFFAIR
I 
was told as a child 
Blacks had no worth,
Not a nickel’s worth of dimes.
I believed that myth 
‘Til Dex rode in
With his ax 
In double time.
His 
horn was soarin’,
The changes flyin’,
His rhythm right on time;
My heart 
Beat with the pleasure 
Of new found pride, 
Knowing,
His blood 
Flowed through mine.
Dex 
Took the chords 
The keyboard played,
And danced around each note;
Then shuffled ‘em 
Like a deck of cards,
And didn’t miss a stroke.
B minor 7 with flatted 5th,
a half diminished chord,
He substituted a lick in D,
Then really began to soar.
He tipped his hat 
To Charlie Parker,
and quoted 
Trane with Miles,
Then paid his homage to 
Thelonious Monk,
In Charlie Rouse’s style.
He took 
a Scrapple From The Apple,
Then went to Billie’s Bounce,
The rhythm section, now on fire,
But he didn’t budge an ounce.
He just
dug right in 
to shuffle again,
This time
A Royal Flush,
Then lingered a bit 
Behind the beat,
Still smokin’
But in no rush.
Then he
doubled the time
just like this rhyme,
in fluid 16th notes,
tellin’
Charlie and Lester,
“your baby boy, Dexter’s,
on top of the 
bebop you wrote.”
Wailin’ 
like a banshee,
this prince of saxophone,
His ballads dripped of honey, 
His Arpeggios were strong.
Callin’ on his idles,
Ghost of Pres’ 
within in the isles,
smiling at his protege, 
At the peak of this new style.
His tenor
Drenched of Blackness,
And all the things we are–
Of pain, and pleasure, 
And creative greatness
Until his final bar.
 
Eric L. Wattree

Religious bigotry: It's not that I hate everyone who doesn't look, think, and act like me - it's just that God does.

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