Ms. Rita Edmond: A Glance at Destiny

BENEATH THE SPIN • ERIC L. WATTREE

Ms. Rita Edmond: A Glance at Destiny  

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I’m about to throw you a curve here, Milton.  I’m sure it’s going to strike you as beyond curious that during these dire political times one of your most strident political columnists would be writing you about music. But mark my words, I’m discussing much more than simply music here. This article describes an auspicious event that’s taking place in the world of jazz, which, for over a hundred years has always signaled a significant change in our political environment.  So please don’t confuse this with a music review.  Music is just the backdrop. My actual intent is to allow our readers to become a witness to history. Let me explain what I mean:   

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For over a century the developments in jazz have always been a harbinger of things to come. It was jazz that made the Roaring Twenties roar, with people like Louis Armstrong and Fats Waller. It was also jazz that sustained us through the Great Depression of the thirties, with the driving big bands of Duke Ellington, Count Basie, and Chick Web, bringing along great ladies like Ella Fitzgerald and Billie Holiday.  Later, jazz bolstered our troops to defeat fascism during WWII with people like Benny Goodman and Jimmy and Tommy Dorsey. Then after the war, the celebratory sounds of bebop appeared on the scene, with Charlie parker, Dizzy Gillespie, and the fabulous Sarah Vaughan to usher in an era of the most sustained prosperity that this country has ever known. Then during the fifties and sixties Miles and Trane took over the reins to signal the emergence of a new Black consciousness, and the birth of a generation of Black people who were unwilling to "take their place" on the back of the bus.     

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Now, due to the harmonic complexity and sophistication of jazz, it’s certainly not the most popular music in the country, since much of it is beyond the easy grasp of the masses. But that doesn’t make it any less influential in shaping the thinking of the people, because due to the musical innovations that continue to take place within its insulated world, jazz invariably defines the course of the music that the masses can understand.  Thus, over the years, jazz has unfailingly defined the tenor of our times, and so it is again.

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One day a musician friend of mine approached me and said he wanted me to hear a CD. I'm an old school musician - Charlie Parker, Dexter Gordon, Mile Davis, etc. - so I'm not very big on today’s commercialism, but since he was a friend and fellow sax player, I agreed to take a listen. 

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The CD was the work of a lady by the name of Rita Edmond, a name that I hadn’t ever heard before, but before this sister got to the bridge of the first chorus of the tune, I knew this wasn't just another singer. It was clear to me that this woman was a talent on the level of Ella, Sarah, and Dinah Washington. So when my friend saw my reaction, he started telling me that he could get me a copy of the CD, but I told him, "No, I want this one," and I literally SEIZED the CD from the brother. I threw some money on the hood of his car, and went to the park and spent hours listening to this fabulous lady, and I found every tune on the CD to be just as good or better than the one before. Thereafter, I broke my policy of only writing about politics, and plunged into an article about this very special lady.

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Ms Edmond is not just an entertainer, she’s a harbinger of a new era, so her discrete and unheralded arrival on the jazz scene is indeed ironic. She should have been welcomed with blaring horns, because her very presence signals the end of an era of gross mediocrity in the country, and in modern jazz.

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Perhaps that’s why in spite of the fact that she’s getting the accolades of flawless reviews, invited to open Dodger games, and being sought out to sing at celebrity weddings, the industry as a whole is doing its very best to blot her out.  You see, the industry is a step ahead of us. They understand what Ms Edmond represents - a frontal assault on the forces of mediocrity. 

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Rita Edmond looms as a serious threat to both the business and the political interests of those who have a vested interest in maintaining the status quo. If the masses begin to embrace Ms Edmond as the standard that defines talent, excellence, and class, the millions of dollars that the industry has spent to promote mediocrity will go for naught. And on a political level, Ms Edmond’s style, professionalism, and focused pursuit of excellence is absolutely toxic to the media’s attempt to dumb-down America.

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Rita has produced two CDs so far - “Sketches of A Dream” and “A Glance at Destiny,” (which she certainly is). And she came out the gate jumping in with both feet. On both CDs she tackles standards and signature songs by some of the best singers who ever lived, and she didn’t come up short once. Every song she does is either comparable or better than the version that made it famous - and any song on either of the two CDs could serve as the title song of the CD itself.

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And we’re not talkin’ fillers, here. On both CDs you definitely get your money’s worth. On the CD, "Sketches of a Dream," she does Dindi, Star Eyes, You’d Be So Nice To Come Home To, Body And Soul, All The Way, On The Street Where You Live, My Romance, Never Let Me Go, Day By Day, Out of Nowhere, Just In Time, Here’s That Rainy Day, You Stepped Out Of A Dream, Misty, Almost Like Being In Love, and Our Love Is Here To Stay. And the CD, "A Glance at Destiny", is just as formidable, where she does songs like Sunny, You’ve Changed, It Might As Well Be Spring, and You Don’t Know What Love Is.

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Of particular note on "A Glance At Destiny," Ms Edmond does Here’s To Life.That song has been done by some of the greatest singers in the world, both living and dead, but Rita has made that song her own. I challenge anyone who’s ever dedicated their life to fighting the good fight to try to get through that song with dry eyes. I’ve listened to it hundreds of times now, and I haven’t been successful yet.

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So yes, Rita Edmond is far from just another entertainer. This lady is the consummate artist. While she has a four octave range, unlike lesser singers, she never uses it frivolously just to say to the audience “look what I can do.” She never over-sings, and she never under-sings. She always puts the music first, and only dips into her formidable resources when the music demands it. In fact, every time she sings a song, it serves as a tribute to the composer.

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Yet, she puts her undeniable stamp on every song she sings, but again, not with frivolous and over-the-top embellishments, but with pure passion, and the power of excellence. The emotion in her ballads drip like honey, and she swings with the effortless finesse of a Bentley cruising down Pacific Coast Highway. 

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Clear evidence of my assessment of Ms Edmond can be found in a YouTube video of her  appearing at the Los Angeles County Museum of Art. She does“Embraceable You” with Harold Land, Jr. on keyboard. Her performance is simply flawless. The only thing missing is the melodic tones of Charlie Parker in the background. Bird would have loved her, because even as a relatively young woman, she belongs to his world.

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Milton, I realize that I've made a series of grandiose assertions here, and since we're both objective journalists I don't expect you to simply take me at my word. So I've attached a few links below. Take a minute and listen to this lady for yourself. I'm sure that when you're done my credibility will remain firmly intact.
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Thus, I've written this as both an article and a personal communication because you’re in a position to do the world a favor. I know you’ve got an ongoing relationship with Bill Cosby, and I also happen to know that Bill is a huge supporter of jazz. After you've listened to Rita yourself, take a minute to contact Bill and have him give her a listen. You'll not only be doing the world a favor, but you'll be doing Bill and yourself a favor as well. I assure you, Bill will be eternally grateful to you for providing him the opportunity to make a huge contribution to jazz, and also, for allowing him to give the world . . . a glance at destiny.

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Here's to Life

http://www.youtube.com/watch?v=c18V_uvMYhU

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Embraceable You

http://www.youtube.com/watch?v=x6qQLKqEKrI

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It Might As Well Be Spring

http://www.youtube.com/watch?v=bVXzYTrrCVE

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Gentle Rain

http://www.youtube.com/watch?v=9ukpv8GYB_8&feature=related

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You Don't Know What Love Is

http://www.youtube.com/watch?v=RKPY2gA24PI


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Eric L. Wattree 

Http://wattree.blogspot.com
Ewattree@Gmail.com

Citizens Against Reckless Middle-Class Abuse (CARMA)

Religious bigotry: It's not that I hate everyone who doesn't look, think, and act like me - it's just that God does.

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Gross Hypocrisy: The Greatest Threat to American Security

BENEATH THE SPIN • ERIC L. WATTREE

Gross Hypocrisy: The Greatest Threat to American Security

As the mainstream media continues to engage in its endless distraction over Senator Harry Reid stating the ridiculously obvious, New York's Black Star News is running an otherwise completely overlooked little story about the firing of Eric Amankwah, a 28-year-old Ghanian, by Delta Airlines for reporting a serious breach of security.

Amanakwah alleges that on January 2, a mere eight days after the Christmas Day attempt on Flight 253 over Detroit, he was instructed by his supervisor, Yvonne Green, to circumvent JFK security and deliver an unattended suitcase to an out-going flight without inspection. When he protested over the breach of security, he was advised by Ms. Green that he shouldn't worry about it. It was done routinely. If the suitcase missed its connection Delta Airlines would be fined.

After carrying out Green's instructions, when Amanakwah returned Green was waiting for him with a second supervisor, Mohammad Taj, to which Ms. Green reported, "Eric completed the job." Taj then said, "Good," then left.

According to the Black Star article by Milton Allimadi, after discussing the matter with other Delta employees, Mr. Amanakwah began to have second thoughts about what he had been instructed to do, so he sent an e-mail up Delta Airline's chain of command, including one to Delta's CEO, Richard H. Anderson, expressing his concern over the matter. The following Tuesday he was fired.

Black Star News followed up on the story by publishing a request for any other airline employees with similar stories of security breaches to come forward. In response they were contacted by Ms. Mary Stewart-Joyce. She indicated that she was hired by Delta Airlines on May 8, 1997. She goes on to say:

"After completion of the new hire training I was assigned to the Federal Inspections Area at JFK. The lead supervisors were Mavis Thomas, Joseline Lucas, Alix Laincy and Danny Cronin: Mr. Cronin was my assigned supervisor.

"I was not signed up for the Port Authority security class and therefore was forced to work in FIS without the proper Port ID pass. This was a violation of Federal Law. I was told to turn my building access swipe card around and to wear it lengthwise behind my Delta ID so that it would 'look' as if I had a port ID."

Ms. Joyce indicated that she was finally sought out and detained by the customs office for failing to have the proper I.D. She was informed by the customs officer that they were told to find her on the floor and hold her so that Delta Airlines could be fined for breaching security. Later she was informed by a customs supervisor that he was the one who had ordered her picked up and held because he was "sick of Delta's total disregard for security."

Ms. Joyce goes on to relate other breaches by Delta Airlines. She says that she knew many of the things that she was instructed to do were a breach of security, but there was very little that she could do about it, because as a single mother, she feared termination. But at this point, she says, she's not only willing to come forward, but sign a deposition.

As dangerous as this kind of irresponsible behavior is to the flying public, the arrogance of corporate, social, and political entitlement represent a much greater danger to America as a whole. Gross hypocrisy and the entitlement of power have become indelibly ingrained in the very fabric of America. That makes lying, deceit, and the routine manipulaion of the American people just a simply matter of doing  business, by both corporations and government alike.

What's in the best interest of the American people has become secondary to the corporate pursuit of the dollar.  This fact is clearly demonstrated by this multi billion-dollar airline's willingness to put the lives of its passengers in jeopardy just to avoid a fine that amounts to pennies. And many of the government officials that we depend on to protect us are just as corrupt. Washington has become filled with politicians elected to represent the people, who have become nothing short of government-paid lobbyists for big business - Joe Lieberman is an obvious case in point. He's willing to throw 67% of his constituents under the bus for his own personal gain.

So while Al Qaeda undoubtedly poses a threat to America, it doesn't come close to the threat posed  by the corruption, self-service, and total disregard of American ideals by the ever-growing bunch of demagogues that we've casually allowed to gain control of our lives - and even as I write this sentence it's becoming progressively worse. They've seized control of the media, virtually destroyed our educational system, and have left us all but helpless to even grasp what's happening to us.

America needs to understand that the time to become actively engaged in our own welfare has all but passed. We're already waste-deep in a class war. Hyperbole? Just take a moment to consider how far we've declined since WWII.

They tell us we're involved in a "war on terror."  But who's fighting that war, and making all of the sacrifices? When America went to war during WWII, all of America was at war - the rich and poor, Black and White, young and old. But now, the only ones sacrificing for this so-called "war on terror" are the poor and middle-class. The rich hopes it goes on forever, because they're benefitting from it greatly.

Then they tell us, "Oh, no! It only looks unfair. The difference between now and WWII is that now we have a 'volunteer military'."

'Volunteer military?'  Let's take a look at that: Our so-called 'volunteers' are made up of poor and middle-class young people who are there in lieu of a job so they can try to get an education, or feed and insure their young families. One volunteers as an act of patriotism, not as an attempt to survive.

Clear evidence of my contention is the enlistment rate of the rich. If our 'volunteer military' is indeed built upon patiotism, the children of the rich certainly can't have much love for America, because they're volunteering in piss-poor numbers. As a direct result of the poor enlistment rate of the rich and privileged, our troops have to take up the slack by placing their lives on the line for two, three, and four tours of combat duty - then these very same slackers are reluctant, and even resistant, to enhance military benefits, even as they pay the personnel of their contractor cronies three and four times what they pay our troops.

Thus, calling our troops 'volunteers' is no more accurate than calling your trash man a volunteer. He didn't volunteer to collect the trash. He's doing the very same thing as our brave troops in Afghanistan and Iraq, simply trying to feed his family. He just doesn't have to die to do it.

So America needs to wake up before it's too late. We're no longer living in the America we once knew. We're not safe; we can no longer trust what's in our food and water; our young people are being taught that it's 'un-American' to put family before corporate profit; and the country is brimming over with demagogues, tycoons, and self-serving politicians having wet dreams over the prospect of personal windfall - in both money and power - of another attack on America.

There's a reason why Cheney continues to insist that President Obama say "War" when he mentions terror -  because "war" means money.

Correction

I was contacted by Ms. Mary Stewart-Joyce regarding this story. She indicated that she wasn't actually detained by the customs officer for not having the proper I.D. She was warned by the official that they had been instructed to locate her on the floor without the proper I.D. so Delta Airlines could be fined. Thereafter, she took it upon herself to sit out the remainder of her shift in the Arrival Control Office.


Eric L. Wattree
wattree.blogspot.com

Religious bigotry: It's not that I hate everyone who doesn't look, think, and act like me - it's just that God does.

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