Wednesday, January 01, 2020

ABOUT HIP HOP AND BLACK BRAINWASHING


Beneath the Spin*Eric L. Wattree

EXCELLENCE IS THE KEY TO BLACK EQUALITY

ABOUT HIP HOP AND BLACK BRAINWASHING


Promoting Hip-Hop, flooding the Black community with Crack cocaine, and mounting an assault on our educational system are all a part of the very same effort - the White establishment's desperate attempt to see to it that the Black community never produces another generation like the one that came out of the 60s.
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When I was in college it cost me $6.50 a term – and that included parking. Now a young person has to go in debt for life just to afford a Bachelor's Degree. There’s two reasons for that. The first involves class. The White establishment wanted to establish a class system that keeps the “Haves” on top by ensuring that the “Have Nots” wouldn’t be able to get an education, because with an education, the White “Have Nots” began to realize that Black people weren’t the only ones being oppressed, so they became a part of the struggle. But now, due to a lack of education, the ignorance of many lower-class Whites keep Donald Trump in office and help to maintain the viability of the Republican Party.
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Secondly, when the White establishment began bringing Black people here in 1619, they thought they were merely importing dumb beasts of burden. But as the Africans began to adapt to the White culture our intellectual brilliance began to reveal itself and the White establishment began to recognize that the very same intellectual creativity that led to what today is commonly referred to as Black “soul”, could very easily be applied to other areas of intellectual pursuit, like math, science, engineering and politics. That made us a clear and present threat to their status in society.

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It was a Black slave who introduced inoculation to the White society, which all but wiped out Smallpox and many other virulent diseases that plagued their society for centuries, and that had completely eluded their great institutions of higher learning . And beyond that, a Black school teacher did the math that made it possible to send man to the Moon – or, at least, made it possible for man to go there and get back safely without being lost in space – and later, a Black man made personal computing possible. In addition, Black music (jazz) serenaded this nation through the “Roaring Twenties” (or what’s commonly referred to as “The Jazz Age”), and helped to inspire this nation's victory over Hitler during WWII.
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So, for generations the White establishment has made it their top priority to keep Black people dumbed-down, and prevent us from unleashing our powerful and creative intellect – they even made it illegal to teach us to read. But in spite of their most valiant efforts, after the Civil War former slaves walked right out of the fields into the halls of congress, and Frederick Douglass, a self-educated escaped slave, became a confidant of President Lincoln, and one of the most celebrated and sought-after intellectuals of the 19th Century. He was way ahead of his time, and was one of the first prominent intellectuals to address the issue of women's rights.
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But in spite of that, the White establishment wasn’t about to give up on their efforts to convince the Black man that he was inferior, so they instituted “Jim Crow” laws and traditions, and promoted anti-intellectual schemes that continue to this day, and the promotion of Hip-Hop is a part of that effort. But they're fighting a losing battle, because what we "soul" is nothing less than Black intellectual brilliance straining to be unleashed. So the Black community should dedicate all of our efforts into demolishing all of their efforts to dumb-down our people.
BLACK CHILDREN WITH THE HIGHEST IQs 
IN THE WORLD - EVER!
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https://face2faceafrica.com/article/these-black-little-geniuses-have-the-highest-iqs-ever-in-the-world/2 
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The technique currently being used to obstruct Black intellectual development is brilliant in its simplicity. The White establishment clearly recognized that we are what we think, so they're attempting to influence young Black minds during their early development. Through the use of the corporate media the White establishment is making it possible for a handful of underinformed Black individuals to gain wealth and fame by denigrating our people and referring to the very womb of our culture as “bitches” and “hoes”. They’re also keeping many of our Black youth distracted from developing their intellect through the simple use of vulgar nursery rhymes. In short, they’re indoctrinating many of our youth into believing that being dumb and self-destructive is cool, and that's the Black man's place.
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The establishment has convinced many young Black people that ignorance is what it means to be Black, and that trying to embrace intellectual development is "bougie", selling out, and trying to be White. So instead of helping to promote this nonsense it's the responsibility of the older generation of Black people to help our young people to understand that knowledge and intellect are not synonymous with White. 

KEEP IT GANGSTA, DAWG

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And I’m not spewing a conspiracy theory here. The evidence is clear. Look at the video below of Miles Davis and John Coltrane. Notice how dead serious every member of this band is in representing their culture. There’s no struttin’ around, bouncin’ their heads, or acting like damn fools for the benefit of the television audience. They simply put on, without any fanfare, an incredible display of pure artistic genius - and without bustin' one sweat bubble.
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Unlike today, Miles and Coltrane simply represented the dignity of their people. They didn’t try to tell the White man who we were, they showed ‘em what Black people represent, and in a very matter-of-fact way. This video was recorded in 1959 when you rarely even saw Black people on television, yet, they weren't fazed a bit. None of them even bothered to look into the camera - in fact, at one point you can see Coltrane even turn away from it. They were so solemn, dedicated, and dead-serious about what they were doing, in fact, that Robert Herridge, the White man who introduces them, whispers their introduction in complete awe, and the White musicians who were fortunate enough to be on stage with them obviously considered it a great honor - and check out their effortless groove! They were laid-back and completely in their zone - their Black zone.
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So young people, don’t buy into the bullshit. In the introduction Robert Herridge points out that "There are many ways of telling a story." Well, Miles is telling you yours. He's telling you who you really are, so listen and take heed. You’re not the product of idiots and clowns who have to tap dance, denigrate your culture, and put on a minstrel show for the White man. You’re the product of masters, and true intellectual giants. 

THIS IS WHO YOU ARE:
MILES DAVIS
(SO WHAT) 


MILES

We knew him as Miles,
the Black Prince of style;
His nature fit jazz to a tee.
Laid back and cool,
a low threshold for fools,
he set the tone
of what a jazzman
should be.
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Short on words,
and unperturbed, about
what the people thought;
frozen in time, drenched
in the sublime,
of the passion
his sweet horn
had wrought.
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Solemn to the bone,
distant and torn,
even Trane could
scarcely get in;
I can still hear the tone
of that genius who mourned,
that precious note
that he couldn't
quite bend.
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Eric L. Wattree
BLACK WRITERS, INTELLECTUALS, AND INDEPENDENT THINKERS
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Religion: It's not that I hate everyone who doesn't look, think, and act like me - i
t's just that God does. 

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